We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.
Labyrinthe: Suite
by Alfred Schnittke
Orchestration
3perc-pf-org-str(3.3.3.3.1)
Duration
38 minutes
Year Composed
1971
Movements
- Moderato-Allegretto-Meno mosso-Adagio
- Moderato
- Allegretto
- Agitato
- Cadenza-Andante-Maestoso
Links
RentIf you see any information that is wrong, please provide feedback!
We will do our best to quickly correct any mistakes.
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Contact form failed to submit!
We apologize, but it looks like the form failed to submit. Please contact us directly by emailing support@omdex.org.
Movements & Players Table
Part Name | Movements | ||||
|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | |
Moderato-Allegretto-Meno mosso-Adagio | Moderato | Allegretto | Agitato | Cadenza-Andante-Maestoso | |
| 12' 00'' | 4' 00'' | 2' 00'' | 4' 00'' | 16' 00'' | |
Percussion 1 | Marimba, Chimes, Suspended Cymbal, Vibraphone, Glockenspiel, 13 Gongs, Xylophone, Snare Drum, Bongos, 4 Tomtoms, Flexatone, and Temple Blocks | ||||
Percussion 2 | |||||
Percussion 3 | |||||
Piano | Piano | ||||
Celesta/Organ | Organ and Celesta | ||||
Harpsichord | Harpsichord | ||||
Violin 1 A | Violin 1 | ||||
Violin 1 B | Violin 1 | ||||
Violin 1 C | Violin 1 | ||||
Violin 2 A | Violin 2 | ||||
Violin 2 B | Violin 2 | ||||
Violin 2 C | Violin 2 | ||||
Viola A | Viola | ||||
Viola B | Viola | ||||
Viola C | Viola | ||||
Cello A | Cello | ||||
Cello B | Cello | ||||
Cello C | Cello | ||||
Double Bass | Bass | ||||
Works With Similar Orchestration
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Contact form failed to submit!
We apologize, but it looks like the form failed to submit. Please contact us directly by emailing support@omdex.org.
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.