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Camille Saint-Saëns
75 Compositions
1852 | Le Pas d'armes du Roi Jean | 2222-2200-timp-str-soloist(Bar) | 5' 00'' |
1853 | Symphony No. 1 in E-flat major , op. 2 | 3232-4432-2timp+1-2hp-str | 29' 00'' |
1854 | Ouverture d'un opéra-comique inachevé , op. 140 | 2222-2220-str | 6' 00'' |
1856 | Symphony in F major | 3222-4200-timp-str | 41' 00'' |
1856 | Mass , op. 4 | 2200-0230-hp-2org-str-chorus(SATB)-soloists(SATB) | 41' 00'' |
1857 | Tarantelle , op. 6 | 1202-2220-timp-str-soloists(fl,cl) | 7' 00'' |
1858 | Oratorio de Noël , op. 12 | hp-org-str-chorus(SSAATB)-soloists(ca,STBarMA) | 38' 00'' |
1858 | Concerto for Piano No. 1 in D major , op. 17 | 2222-4200-timp-str-soloist(pf) | 27' 00'' |
1858 | Concerto for Violin No. 2 in C major , op. 58 | 2222-2230-timp-hp-str-soloist(vln) | 28' 00'' |
1859 | Concerto for Violin No. 1 in A major , op. 20 | 2222-2200-timp-str-soloist(vln) | 11' 00'' |
1859 | Symphony No. 2 in A minor , op. 55 | 3222-2200-timp-str | 23' 00'' |
1862 | Suite for Violoncello and Orchestra , op. 16bis | 2222-2200-timp-str | 18' 00'' |
1863 | Spartacus: Overture | 2222-2230-timp+1-hp-str | 20' 00'' |
1863 | Introduction and Rondo Capriccioso , op. 28 | 2222-2200-timp-str-soloist(vln) | 10' 00'' |
1865 | L'enlévement | 2022-0000-str-soloist(S) | 3' 00'' |
1865 | Sérénade in E-flat major , op. 15 | 2120-2000-hp-str | 6' 00'' |
1866 | Rapsodie bretonne , op. 7b | 2222-4230-str | 11' 00'' |
1868 | Concerto for Piano No. 2 in G minor , op. 22 | 2222-2200-timp+1-str-soloist(pf) | 24' 00'' |
1869 | Orient et Occident , op. 25 | 3333-4331-timp+4-str | 6' 00'' |
1869 | Concerto for Piano No. 3 in E-flat major , op. 29 | 2222-2230-timp-str-soloist(pf) | 30' 00'' |
1870 | Marche héroïque , op. 34 | 3222-4231-timp+3-hp-str | 7' 00'' |
1871 | Gavotte in C minor , op. 23 | 2222-2030-timp-str | 4' 00'' |
1871 | Le rouet d'Omphale , op. 31 | 3224-4230-timp+2-hp-str | 9' 00'' |
1871 | Romance for Flute , op. 37 | 0222-4200-timp-str-soloist(fl) | 6' 00'' |
1871 | Romance for Violin , op. 37 | 0222-4200-timp-str-soloist(fl) | 6' 00'' |
1872 | La princesse jaune: Overture , op. 30 | 2222-4230-timp+2-hp-str | 6' 00'' |
1872 | Concerto for Violoncello No. 1 in A minor , op. 33 | 2222-2200-timp-str-soloist(vc) | 19' 00'' |
1873 | Phaéton , op. 39 | 3222-4231-3timp+3-2hp-str | 9' 00'' |
1873 | Allegro appassionato for Violoncello , op. 43 | 2222-2000-str-soloist(vc) | 4' 00'' |
1874 | Romance for Violoncello , op. 36 | 2121-0000-str-soloist(vc) | 5' 00'' |
1874 | Romance for Horn , op. 36 | 2121-0000-str-soloist(hn) | 5' 00'' |
1874 | Danse macabre , op. 40 | 3222-4231-timp+4-hp-str-soloist(vln) | 8' 00'' |
1874 | Romance for Violin , op. 48 | 1111-2000-str-soloist(vln) | 7' 00'' |
1875 | Concerto for Piano No. 4 in C minor , op. 44 | 2222-2230-timp-str-soloist(pf) | 27' 00'' |
1875 | Le déluge , op. 45 | 3222-4453-2timp+3-hp-str-chorus(SATB)-soloists(ca,SATBBar) | 49' 00'' |
1877 | Samson et Dalila: Bacchanale , op. 47 | 3333-4431-timp+4-hp-str | 8' 00'' |
1877 | La jeunesse d'Hercule , op. 50 | 3222-4531-timp+4-hp-str | 16' 00'' |
1878 | Deux choeurs , op. 53 | 2222-2230-timp+1-str-chorus(SATB)-soloist(Bar) | 7' 00'' |
1878 | Requiem , op. 54 | 4404-4040-4hp-2org-str-chorus(SATB)-soloists(SATB) | 34' 00'' |
1880 | Une nuit à Lisbonne | 1111-2000-hp-str | 4' 00'' |
1880 | Suite algérienne , op. 60 | 3222-4431-timp+3-str | 19' 00'' |
1880 | Concerto for Violin No. 3 in B minor , op. 61 | 2222-2230-timp-str-soloist(vln) | 29' 00'' |
1880 | Morceau de concert for Violin , op. 62 | 2222-2200-timp-str-soloist(vln) | 8' 00'' |
1880 | Jota aragonese , op. 64 | 3222-4430-timp+4-hp-str | 4' 00'' |
1880 | Septet , op. 65 | 0000-0100-pf-str | 15' 00'' |
1881 | Hymne à Victor Hugo , op. 69 | 3223-4431-timp+3-hp-str | 11' 00'' |
1882 | Henry VIII: "Marche du synode" from Act 3 | 3333-4331-timp+2-str | 5' 00'' |
1882 | Henry VIII: Ballet-Divertissement from Act 2 | 3332-4431-timp+3-2hp-str | 22' 00'' |
1884 | Allegro appassionato for Piano , op. 70 | 2222-2200-str-soloist(pf) | 7' 00'' |
1884 | Rhapsodie d'Auvergne , op. 73 | 3222-4230-timp+1-str-soloist(pf) | 10' 00'' |
1885 | Wedding Cake , op. 76 | str-soloist(pf) | 6' 00'' |
1886/2018 | Le carnaval des animaux (arr. White ) | 3222-4231-timp+3-hp-str-soloist(n) | 21' 00'' |
1886 | Symphony in A major | 2222-2200-timp-str | 25' 00'' |
1886 | Le carnaval des animaux | 1010-0000-2perc-str-soloists(2pf) | 21' 00'' |
1886 | Symphony No. 3 in C minor , op. 78 | 3333-4331-timp+2-2pf-org-str | 37' 30'' |
1887 | La fiancée du timbalier , op. 82 | 3222-4431-timp+3-hp-str-soloist(S) | 12' 00'' |
1887 | Havanaise , op. 83 | 2222-2200-timp-str-soloist(vln) | 11' 00'' |
1887 | Morceau de concert for Horn , op. 94 | 2222-0030-timp-str-soloist(hn) | 9' 00'' |
1888 | Ascanio: Ballet music | 3224-4331-timp+3-hp-str | 27' 00'' |
1891 | Nuit persane , op. 26bis | 3222-4400-1perc-hp-str-chorus(SA)-soloists(ca,T) | 33' 00'' |
1891 | Africa , op. 89 | 2222-2230-timp+1-str-soloist(pf) | 11' 00'' |
1892 | Sarabande et rigaudon , op. 93 | 2222-2220-timp-str | 10' 00'' |
1896 | Concerto for Piano No. 5 in F major , op. 103 | 3222-4230-timp-str-soloist(pf) | 29' 00'' |
1900 | La nuit , op. 114 | 2222-4000-hp-str-chorus(SA)-soloist(S) | 10' 00'' |
1902 | Andromaque: Overture | 2222-2230-timp+1-str | 9' 00'' |
1902 | Andromaque: Prelude to Act 4 | 2222-2230-str | 5' 00'' |
1902 | Marche du couronnement , op. 117 | 3223-4431-timp+3-hp-org-str | 8' 00'' |
1902 | Concerto for Violoncello No. 2 in D minor , op. 119 | 2222-4200-timp-str-soloist(vc) | 17' 00'' |
1904 | Caprice andalous , op. 122 | 3222-2331-timp-hp-str-soloist(vln) | 10' 00'' |
1908 | La foi: Trois tableaux symphoniques , op. 130 | 3222-4330-timp+5-hp-str | 28' 00'' |
1910 | Déjanire: Prélude et cortège | 2222-2231-timp+2-hp-str | 6' 00'' |
1910 | Ouverture de fête , op. 133 | 3333-4431-timp+3-2hp-str | 5' 00'' |
1918 | Morceau de concert for Harp , op. 154 | 2222-2200-timp-str-soloist(hp) | 14' 00'' |
1919 | Cyprès et Lauriers , op. 156 | 3223-4331-timp+4-hp-str-soloist(org) | 16' 00'' |
1920 | Odelette , op. 162 | 0202-0000-str-soloist(fl) | 14' 00'' |
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.