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George Gershwin
23 Compositions
1924/1926 | Rhapsody in Blue (1926) (arr. Grofé ) | 1121-2210-timp+2-str-soloist(pf) | 16' 00'' |
1924/1933 | Let 'Em Eat Cake Overture (arr. Rose ) | 3333-4331-timp+4-hp-pf-str | 8' 00'' |
1924/1942 | Rhapsody in Blue (for Jazz Band) (arr. Grofé ) | 0120-2221-timp+1-pf-cel-str-soloist(pf) | 16' 00'' |
1924/1942 | Rhapsody in Blue (1942) (arr. Grofé ) | 2232-3331-timp+3-str-soloist(pf) | 16' 00'' |
1925/? | Tip-Toes Overture (arr. Bennett ) | 1121-2210-timp+1-2pf-str | 8' 00'' |
1925/? | Tip-Toes Overture (arr. Rose ) | 2222-4331-timp+2-hp-pf-cel-str | 5' 00'' |
1925 | Concerto for Piano in F major | 3332-4331-timp+4-str-soloist(pf) | 31' 00'' |
1925 | Concerto for Piano in F major (for Jazz Band) | 2243-0441-timp+3-pf-cel-soloist(pf) | 31' 00'' |
1928 | An American in Paris | 3332-4331-timp+5-cel-str | 16' 00'' |
1930/1930 | Girl Crazy Overture (arr. McBride ) | 3332-4331-timp+3-hp-pf-cel-str | 7' 00'' |
1930/1977 | Girl Crazy Overture (arr. Rose ) | 3333-4331-timp+3-hp-pf-cel-str | 7' 00'' |
1930/1977 | Girl Crazy Overture (arr. Bennett ) | 1100-0320-1perc-pf-str | 7' 00'' |
1930/2017 | Variations on "I Got Rhythm" (arr. Schoenfeld ) | 2242-4331-timp+4-str-soloist(pf) | 9' 00'' |
1931 | Second Rhapsody for Piano and Orchestra | 3332-4331-timp+3-hp-str | 15' 00'' |
1932/1932 | Of Thee I Sing Overture (arr. McBride ) | 3333-4331-timp+2-hp-pf-str | 8' 00'' |
1932/1977 | Of Thee I Sing Overture (arr. Rose ) | 3333-4331-timp+2-hp-pf-str | 5' 00'' |
1932 | Of Thee I Sing Overture | 1100-1310-2perc-pf-str | 5' 00'' |
1932 | Cuban Overture | 3333-4331-timp+7-str | 10' 00'' |
1935 | Porgy and Bess: Symphonic Picture | 3332-4331-timp+4-2hp-str | 24' 00'' |
1936 | Catfish Row | 2241-3321-timp+1-pf-str | 23' 00'' |
1937/2002 | Lullaby (arr. Serebrier ) | 2332-2200-timp-str | 8' 00'' |
1937 | Lullaby | str | 8' 00'' |
1937/? | Promenade (arr. Berkowitz ) | 2232-4321-timp+3-hp-cel-str | 4' 00'' |
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.