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Leoš Janáček
49 Compositions
1877 | Suite for Strings | str | 19' 00'' |
1878 | Idylla | str | 30' 00'' |
1891 | Rákóš Rákóczy | 2332-3230-timp+3-hp-str | 52' 00'' |
1891 | Adagio | 2222-2220-timp-str | 6' 00'' |
1891 | Suite , op. 3 | 2222-3200-timp+1-hp-str | 16' 00'' |
1895 | Jealousy | 2332-4231-timp+1-hp-str | 6' 00'' |
1897 | Amarus | 3333-4231-timp+2-hp-str-chorus(SATB)-soloists(BarT) | 30' 00'' |
1902/1940 | Jenůfa-Rhapsodie (arr. Schönherr ) | 2222-4231-timp+2-hp-str | 25' 00'' |
1902/? | Jenůfa: Symphonic Suite (arr. Honeck / Ille ) | 3332-4231-timp+3-hp-str | 22' 00'' |
1903/? | Jenůfa: Symphonic Fantasy (arr. Krejčí ) | 3222-4231-timp+3-hp-str | 15' 00'' |
1906/2007 | Sonate 1.X.1905 (arr. Verbey ) | 3333-4331-timp+4-hp-str | 15' 00'' |
1910/? | Pohádka (arr. de Leeuw ) | 1221-2000-hp-str-soloist(vc) | 12' 00'' |
1911/2008 | On an Overgrown Path (arr. D. Matthews ) | 2222-2230-timp+1-hp-str | 27' 00'' |
1911/2017 | On an Overgrown Path (arr. Dünser ) | 1231-2000-hp-str | 30' 00'' |
1911/? | On an Overgrown Path (arr. Stangel ) | 1111-1000-hp-str | 36' 00'' |
1913 | The Village Fiddler's Child | 2232-3231-timp+1-hp-str | 12' 00'' |
1914 | The Eternal Gospel | 3334-4331-timp+1-hp-org-str-chorus(SATB)-soloists(ST) | 21' 00'' |
1918 | Taras Bulba | 3323-4331-timp+3-hp-org-str | 23' 00'' |
1919 | The Ballad of Blaník | 3232-3331-timp+1-2hp-cel-str | 8' 00'' |
1920/1999 | Die Ausflüge des Herrn Broucek: Suite (arr. Smolka ) | 4333-4331-timp+1-hp-org-str | 23' 00'' |
1921/2007 | Katja Kabanowa: Suite (arr. Smolka ) | 4333-4231-timp+1-hp-cel-str | 21' 00'' |
1923/? | The Cunning Little Vixen: Suite (arr. Jílek ) | 4333-4231-timp+2-hp-cel-str | 23' 00'' |
1923/? | The Cunning Little Vixen: Suite (arr. Jílek ) | 4333-4331-timp+3-hp-cel-str | 15' 00'' |
1923 | The Cunning Little Vixen | 4333-4331-timp+3-hp-cel-str | 1h 30' 00'' |
1924/1937 | The Cunning Little Vixen: Suite (arr. Talich ) | 4333-4331-timp+3-hp-cel-str | 15' 00'' |
1924/1937 | The Cunning Little Vixen: Suite (arr. Talich ) | 4333-4331-timp+3-hp-cel-str | 16' 00'' |
1924/2010 | The Cunning Little Vixen: Suite (arr. Mackerras ) | 4333-4231-timp+1-hp-cel-str | 22' 00'' |
1924/2017 | The Cunning Little Vixen: Gloße Suite (arr. Hrůša ) | 4333-4331-timp+2-hp-cel-str | 30' 00'' |
1924 | Lachian Dances | 2332-4230-timp+1-hp-org-str | 19' 00'' |
1925/1995 | The Makropulos Affair: Symphonic Synthesis (arr. Serebrier ) | 4333-6631-2timp-hp-str | 31' 00'' |
1925 | Concertino | 0011-1000-str-soloist(pf) | 17' 00'' |
1925/? | Symphony (arr. Faltus ) | 4343-4031-timp-hp-str-soloist(S) | 18' 00'' |
1925/? | Die Sache Makropoulos: Suite (arr. Ille ) | 3333-4231-timp+1-hp-str | 22' 00'' |
1926/? | Sinfonietta (arr. Stein ) | 3332-4431-timp+1-hp-str | 24' 00'' |
1926 | Die Sache Makropoulos: Symphonische Stücke | 4344-4431-timp+3-2hp-str | 32' 00'' |
1926 | Sinfonietta | 4242-41241-timp+1-hp-str | 24' 00'' |
1926/? | Sinfonietta (arr. Keilberth ) | 3333-4431-timp+1-hp-str | 24' 00'' |
1926 | Sokol Fanfare | 0000-01102-timp | 3' 00'' |
1926 | Capriccio for Left-Hand and Winds | 1000-0230-str-soloist(pf) | 17' 00'' |
1927 | Aus einem Totenhaus: Ouverture | 4333-4331-timp+4-hp-cel-str | 6' 00'' |
1927 | Glagolitic Mass (First Version) | 4333-4431-timp+3-2hp-cel-org-str-chorus(SSAATTBB)-soloists(SATB) | 45' 00'' |
1928/2011 | From the House of the Dead: Overture (arr. Szeto ) | 1111-2100-str-soloist(vln) | 6' 00'' |
1928 | Glagolitic Mass (Final Version) | 4333-4431-timp+2-hp-cel-org-str-chorus(SSAATTBB)-soloists(SATB) | 40' 00'' |
1928 | Concerto for Violin | 4343-4431-timp+1-hp-cel-str-soloist(vln) | 12' 00'' |
1928 | Schluck und Jau | 4343-4331-3perc-hp-str | 10' 00'' |
1957 | Moravian Dances | 2222-3220-timp+1-hp-str | 8' 00'' |
1972/? | From the House of the Dead: Suite (arr. Byrns ) | 4333-4331-timp+4-hp-cel-str | 25' 00'' |
1990/? | From the House of the Dead: Suite (arr. Jílek ) | 4333-4331-timp+3-hp-cel-str | 20' 00'' |
2017 | Sinfonietta | 3232-4431-timp+1-hp-str | 25' 00'' |
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.