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Losing Earth
by Adam Schoenberg
Orchestration
3333-4331-7perc-hp-pf-str-soloist(perc)
Duration
25 minutes
Year Composed
2019
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Movements & Players Table
Part Name | Instruments |
|---|---|
Flute 1 | C Flute |
Flute 2 | C Flute and Piccolo |
Flute 3 | C Flute and Piccolo |
Oboe 1 | Oboe |
Oboe 2 | Oboe |
Oboe 3 | Oboe and English Horn |
Clarinet 1 | Clarinet in Bb |
Clarinet 2 | Clarinet in Eb and Clarinet in Bb |
Clarinet 3 | Bass Clarinet and Clarinet in Bb |
Bassoon 1 | Bassoon |
Bassoon 2 | Bassoon |
Contrabassoon | Contrabassoon |
Horn 1 | Horn in F |
Horn 2 | Horn in F |
Horn 3 | Horn in F |
Horn 4 | Horn in F |
Trumpet 1 | Piccolo Trumpet in Bb and Trumpet in C |
Trumpet 2 | Piccolo Trumpet in Bb and Trumpet in C |
Trumpet 3 | Trumpet in C |
Trombone 1 | Trombone |
Trombone 2 | Trombone |
Trombone 3 | Bass Trombone |
Tuba | Tuba |
Timpani | Sizzle Cymbal and Timpani |
Percussion 1 | Vibraphone, Roto Sound Cymbal, Tam-Tam, Xylophone, Concert Bass Drum, Tan-Cans, Bongos, and Temple Blocks |
Percussion 2 | Marimba, Ratchet, Lowest D Thai Nipple Gong, Graduated Bass Drum, Vibraphone, Tin-Cans, 5 Tuned Small Thai Nipple Gongs, Snare Drum, and Paiste Roto Sound Cymbal |
Percussion 3 | Guiro, Graduated Bass Drum, Vibraphone, Glockenspiel, Concert Bass Drum, and Paiste Roto Sound Cymbal |
Percussion 4 | Graduated Bass Drums and Paiste Roto Sound Cymbals |
Percussion 5 | Graduated Bass Drums and Paiste Roto Sound Cymbals |
Percussion 6 | Graduated Bass Drums and Paiste Roto Sound Cymbals |
Harp | Harp |
Electric Bass | Electric Bass |
Piano | Piano |
Violin 1 | Violin Section |
Violin 2 | Violin Section |
Viola | Viola Section |
Cello | Cello Section |
Double Bass | Bass Section |
Solo: Percussion | Ribbon Crashers, Tambourine, Prayer Bowls, Djembe, Piccolo Timpani, Resonant Metal Found Objects, 2 Granite Blocks, Amplified Cajón, Rice Bowls, Kick Drum, Xylophone, Snare Drum, Bongos, Temple Blocks, and 13 Tuned Thai Nipple Gongs |
Works With Similar Orchestration
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.