We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.
Antony and Cleopatra: Two Scenes (op. 40)
by Samuel Barber
Orchestration
3332-4331-timp+5-2hp-pf-str-soloist(S)
Duration
16 minutes
Year Composed
1966
Find this work at:
Wise MusicIf you see any information that is wrong, please provide feedback!
We will do our best to quickly correct any mistakes.
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Movements & Players Table
Part Name | Movements | |
---|---|---|
1 | 2 | |
Give Me Some Music | Death of Cleopatra | |
8' 00'' | 8' 00'' | |
Flute 1 | C Flute | |
Flute 2 | C Flute | |
Flute 3 | C Flute | |
Oboe 1 | Oboe | |
Oboe 2 | Oboe | |
Oboe 3 | Oboe | |
Clarinet 1 | Clarinet | |
Clarinet 2 | Clarinet | |
Clarinet 3 | Clarinet | |
Bassoon 1 | Bassoon | |
Bassoon 2 | Bassoon | |
Horn 1 | Horn | |
Horn 2 | Horn | |
Horn 3 | Horn | |
Horn 4 | Horn | |
Trumpet 1 | Trumpet | |
Trumpet 2 | Trumpet | |
Trumpet 3 | Trumpet | |
Trombone 1 | Trombone | |
Trombone 2 | Trombone | |
Trombone 3 | Trombone | |
Tuba | Tuba | |
Harp 1 | Harp | |
Harp 2 | Harp | |
Piano | Piano | |
Timpani | Timpani | |
Percussion 1 | Triangle and Tam-Tam | Suspended Cymbal, Tam-Tam, and Xylophone |
Percussion 2 | Crash Cymbals and Bell Tree | Crash Cymbals, Suspended Cymbal, and Vibraphone |
Percussion 3 | Crotales, 3 Small Untuned Drums (High/Med/Low), and Snare Drum | Sizzle Cymbal, Crotales, and Snare Drum |
Percussion 4 | Suspended Cymbal | Tenor Drum |
Percussion 5 | Bass Drum and Whip | Bass Drum |
Violin 1 | Violin Section | |
Violin 2 | Violin Section | |
Viola | Viola Section | |
Cello | Cello Section | |
Double Bass | Bass Section | |
Solo: Soprano | Soprano (Voice) |
Works With Similar Orchestration
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.