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Le martyre de Saint Sébastien
by Claude Debussy
Orchestration
4344-6431-timp+1-3hp-cel-str-chorus(SATB)-soloists(SAA)
Duration
1 hour 12 minutes
Year Composed
1911
Notes
Movements:
- La cour de lys (The Court of Lilies)
- La chambre magique (The Magic Chamber)
- Le concile des faux dieux (The Council of the False Gods)
- Le laurier blessé (The Broken Laurel)
- Le paradis (Paradise)
- La cour des lys (Prelude)
- Danse extatique et Final du premier acte
- La passion (Act III, Scene 4)
- Le Bon Pasteur (Prelude to Act IV)
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Movements & Players Table
Part Name | Instruments |
|---|---|
Flute 1 | C Flute |
Flute 2 | C Flute |
Flute 3 | C Flute and Piccolo |
Flute 4 | C Flute and Piccolo |
Oboe 1 | Oboe |
Oboe 2 | Oboe |
Oboe 3 | English Horn |
Clarinet 1 | Clarinet |
Clarinet 2 | Clarinet |
Clarinet 3 | Clarinet |
Clarinet 4 | Bass Clarinet |
Bassoon 1 | Bassoon |
Bassoon 2 | Bassoon |
Bassoon 3 | Bassoon |
Bassoon 4 | Contrabassoon |
Horn 1 | Horn in F |
Horn 2 | Horn in F |
Horn 3 | Horn in F |
Horn 4 | Horn in F |
Horn 5 | Horn in F |
Horn 6 | Horn in F |
Trumpet 1 | Trumpet |
Trumpet 2 | Trumpet |
Trumpet 3 | Trumpet |
Trumpet 4 | Trumpet |
Trombone 1 | Trombone |
Trombone 2 | Trombone |
Trombone 3 | Trombone |
Tuba | Tuba |
Harp 1 | Harp |
Harp 2 | Harp |
Harp 3 | Harp |
Celesta | Celesta |
Harmonium | Harmonium |
Timpani | Timpani |
Percussion 1 | Crash Cymbals, Suspended Cymbal, Bass Drum, and Tam-Tam |
Violin 1 | Violin Section |
Violin 2 | Violin Section |
Viola | Viola Section |
Cello | Cello Section |
Double Bass | Bass Section |
Soprano (Chorus) | Soprano (Voice) |
Alto (Chorus) | Alto (Voice) |
Tenor (Chorus) | Tenor (Voice) |
Bass (Chorus) | Bass (Voice) |
Solo: Soprano 1 | Soprano (Voice) |
Solo: Alto 2 | Alto (Voice) |
Solo: Alto 2 | Alto (Voice) |
Works With Similar Orchestration
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Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.