We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.
Die Jahreszeiten (Hob. XXI:3)
by Franz Joseph Haydn
Orchestration
2223-2230-timp+2-str-chorus(SSATTBB)
Duration
2 hours 27 minutes 15 seconds
Year Composed
1801
Notes
Also referred to as "The Seasons"
Percussion only used in the finale of "Der Herbst" (The Autumn).
If you see any information that is wrong, please provide feedback!
We will do our best to quickly correct any mistakes.
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Movements & Players Table
Part Name | Movements | ||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | |
Einleitung und Recitativ: Seht, wie der strenge Winter flieht! (Simon) | Chor des Landvolks: Komm, holder Lenz! | Rezitativ: Vom Widder strahlet (Simon) | Arie: Schon eilet froh der Akkermann (Simon) | Rezitativ: Der Landmann hat sein Werk vollbracht (Lukas) | Terzett und Chor: Bittgesang: Sei nun gnädig, milder Himmel! (Lukas, Simon, Hanne) | Rezitativ: Erhört ist unser Fleh'n (Hanne) | Freudenlied: O wie lieblich ist der Anblick (Hanne, Lukas, Simon) | Einleitung und Rezitativ: In grauem Schleier (Lukas, Simon) | Arie: Der muntre Hirt (Simon) Hanne? | Terzett und Chor: Sie steigt herauf die Sonne (Hanne, Lukas, Simon) | Rezitativ: Nun regt und bewegt sich alles umher (Simon, Lukas) | Cavatine: Dem Druck erlieget die Natur (Lukas) | Rezitativ: Willkommen jetzt (Hanne) | Aria: Welche Labung für die Sinne (Hanne) | Rezitativ: O seht! Es steiget in der schwülen Luft | Chor: Ach! das Ungewitter naht | Terzett mit Chor: Die düst'ren Wolken trennen sich (Lukas, Hanne, Simon) | Einleitung und Rezitativ: Was durch seine Blüte der Lenz (Hanne, Lukas, Simon) | Terzett mit Chor: So Lohnet die Natur den Fleiß (Simon, Hanne, Lukas) | Recitativ: Seht, wie zum Haselbusche dort (Hanne, Simon, Lukas) | Duett: Ihr Schönen aus der Stadt (Lukas, Hanne) | Rezitativ: Nun zeiget das entblößte Feld (Simon) | Arie: Seht auf die breiten Wiesen hin! (Simon) | Rezitativ: Hier treibt ein dichter Kreis (Lukas) | Chor: Hört! hört das laute Getön | Rezitativ: Am Rebenstocke blinket jetzt (Hanne) | Chor: Juhe, juhe! der Wein ist da | Einleitung und Rezitativ: Nun senket sich das blasse Jahr (Simon) | Cavatine: Licht und Leben sind geschwächet (Hanne) | Rezitativ: Gefesselt steht der breite See (Lukas) | Arie: Hier steht der Wandrer nun (Lukas) | Rezitativ: Sowie er naht (Lukas, Hanne, Simon) | Lied mit Chor: Spinnerlied: Knurre, schnurre, knurre (Hanne, Chor) | Rezitativ: Abgesponnen ist der Flachs (Lukas) | Lied mit Chor: Ein Mädchen, das auf Ehre hielt (Hanne, Chor) | Rezitativ: Von dürrem Oste (Simon) | Arie: Erblikke hier, betörter Mensch (Simon) | Terzett und Doppelchor: Dann bricht der grösse Morgen an (Simon, Lukas, Hanne) | |
| 6' 30'' | 4' 00'' | 45'' | 4' 00'' | 30'' | 6' 30'' | 1' 30'' | 11' 00'' | 4' 15'' | 3' 30'' | 4' 45'' | 2' 00'' | 5' 00'' | 4' 30'' | 5' 00'' | 3' 00'' | 4' 00'' | 4' 30'' | 2' 30'' | 7' 00'' | 1' 30'' | 8' 30'' | 1' 00'' | 3' 15'' | 45'' | 4' 30'' | 1' 15'' | 6' 15'' | 6' 00'' | 2' 30'' | 2' 15'' | 4' 00'' | 1' 30'' | 3' 00'' | 30'' | 3' 30'' | 1' 00'' | 5' 30'' | 5' 45'' | |
Flute 1 | C Flute | Tacet | Piccolo | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | ||||||||||||
Flute 2 | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | Tacet | C Flute | ||||||||||||||||||||||
Oboe 1 | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | ||||||||||||||||
Oboe 2 | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | Tacet | Oboe | ||||||||||||||
Clarinet 1 | Bb Clarinet | Tacet | C Clarinet | Tacet | Bb Clarinet | Tacet | Bb Clarinet | Tacet | Bb Clarinet | Tacet | Bb Clarinet | Tacet | Bb Clarinet | Tacet | C Clarinet | Bb Clarinet | Tacet | Bb Clarinet | Bb Clarinet and C Clarinet | ||||||||||||||||||||
Clarinet 2 | Bb Clarinet | Tacet | C Clarinet | Tacet | Bb Clarinet | Tacet | Bb Clarinet | Tacet | Bb Clarinet | Tacet | Bb Clarinet | Tacet | Bb Clarinet | Tacet | C Clarinet | Bb Clarinet | Tacet | Bb Clarinet | Bb Clarinet and C Clarinet | ||||||||||||||||||||
Bassoon 1 | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | ||||||||||||||||
Bassoon 2 | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | Tacet | Bassoon | ||||||||||||||
Contrabassoon | Tacet | Contrabassoon | Tacet | Contrabassoon | Tacet | Contrabassoon | Tacet | Contrabassoon | |||||||||||||||||||||||||||||||
Horn 1 | Horn in Bb | Horn in G | Tacet | Horn in C | Tacet | Horn in F | Tacet | Horn in Bb | Horn in F | Horn in D | Tacet | Horn in C | Horn in Bb | Tacet | Horn in C | Horn in Eb | Horn in G | Horn in C | Tacet | Horn in Eb and Horn in D | Tacet | Horn in C | Horn in Eb | Tacet | Horn in E | Tacet | Horn in D | Tacet | Horn in Eb | Horn in C and Horn in Eb | |||||||||
Horn 2 | Horn in Bb | Horn in G | Tacet | Horn in C | Tacet | Horn in F | Tacet | Horn in Bb | Tacet | Horn in D | Tacet | Horn in C | Horn in Bb | Tacet | Horn in C | Horn in Eb | Horn in G | Horn in C | Tacet | Horn in Eb and Horn in D | Tacet | Horn in C | Horn in Eb | Tacet | Horn in E | Tacet | Horn in D | Tacet | Horn in Eb | Horn in C and Horn in Eb | |||||||||
Trumpet 1 | Trumpet in C | Tacet | Trumpet in Bb | Tacet | Trumpet in D | Tacet | Trumpet in C | Tacet | Trumpet in C | Tacet | Trumpet in C | Tacet | Trumpet in C | ||||||||||||||||||||||||||
Trumpet 2 | Trumpet in C | Tacet | Trumpet in Bb | Tacet | Trumpet in D | Tacet | Trumpet | Tacet | Trumpet in C | Tacet | Trumpet in C | Tacet | Trumpet in C | ||||||||||||||||||||||||||
Trombone 1 | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | ||||||||||||||||||||||
Trombone 2 | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | Tacet | Trombone | ||||||||||||||||||||||
Trombone 3 | Bass Trombone | Tacet | Bass Trombone | Tacet | Bass Trombone | Tacet | Bass Trombone | Tacet | Bass Trombone | Tacet | Bass Trombone | Tacet | Bass Trombone | Tacet | Bass Trombone | Tacet | Bass Trombone | ||||||||||||||||||||||
Timpani | Timpani | Tacet | Timpani | Tacet | Timpani | Tacet | Timpani | Tacet | Timpani | Tacet | Timpani | Tacet | Timpani | Tacet | Timpani | ||||||||||||||||||||||||
Percussion 1 | Tacet | Triangle | Tacet | ||||||||||||||||||||||||||||||||||||
Percussion 2 | Tacet | Tambourine | Tacet | ||||||||||||||||||||||||||||||||||||
Violin 1 | Violin Section | ||||||||||||||||||||||||||||||||||||||
Violin 2 | Violin Section | ||||||||||||||||||||||||||||||||||||||
Viola | Viola Section | ||||||||||||||||||||||||||||||||||||||
Cello | Cello Section | ||||||||||||||||||||||||||||||||||||||
Double Bass | Bass Section | ||||||||||||||||||||||||||||||||||||||
Simon | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | ||||||||||||||||||
Lukas | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | |||||||||||||||||||||
Hanne | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | |||||||||||||||||||||
Soprano (Chorus) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | Tacet | Soprano (Voice) | |||||||||||||||||
Alto (Chorus) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | Tacet | Alto (Voice) | |||||||||||||||||
Tenor (Chorus) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | Tacet | Tenor (Voice) | |||||||||||||||||
Bass (Chorus) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | Tacet | Bass (Voice) | |||||||||||||||||
Works With Similar Orchestration
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.