We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.
Les rencontres: 3 pièces de ballet
by Jacques Ibert
Orchestration
3333-4331-timp+6-2hp-cel-str
Duration
10 minutes 15 seconds
Year Composed
1925
Find this work at:
ZinfoniaIf you see any information that is wrong, please provide feedback!
We will do our best to quickly correct any mistakes.
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Movements & Players Table
Part Name | Movements | ||
---|---|---|---|
1 | 2 | 3 | |
Les bouquetières | Les créoles | Les bavardes | |
3' 45'' | 4' 00'' | 2' 30'' | |
Flute 1 | C Flute | ||
Flute 2 | C Flute | ||
Flute 3 | C Flute | ||
Oboe 1 | Oboe | ||
Oboe 2 | Oboe | ||
Oboe 3 | Oboe | ||
Clarinet 1 | Clarinet | ||
Clarinet 2 | Clarinet | ||
Clarinet 3 | Clarinet | ||
Bassoon 1 | Bassoon | ||
Bassoon 2 | Bassoon | ||
Bassoon 3 | Bassoon | ||
Horn 1 | Horn | ||
Horn 2 | Horn | ||
Horn 3 | Horn | ||
Horn 4 | Horn | ||
Trumpet 1 | Trumpet | ||
Trumpet 2 | Trumpet | ||
Trumpet 3 | Trumpet | ||
Trombone 1 | Trombone | ||
Trombone 2 | Trombone | ||
Trombone 3 | Trombone | ||
Tuba | Tuba | ||
Harp 1 | Harp | ||
Harp 2 | Harp | ||
Celesta | Celesta | ||
Timpani | Timpani | ||
Percussion 1 | Snare Drum | Tacet | Unknown |
Percussion 2 | Tambourine | ||
Percussion 3 | Triangle | Suspended Cymbal and Triangle | |
Percussion 4 | Crash Cymbals and Suspended Cymbal | Crash Cymbals | Crash Cymbals and Suspended Cymbal |
Percussion 5 | Tam-Tam and Castanets | Tam-Tam | Tam-Tam and Castanets |
Percussion 6 | Tacet | Bass Drum | |
Violin 1 | Violin Section | ||
Violin 2 | Violin Section | ||
Viola | Viola Section | ||
Cello | Cello Section | ||
Double Bass | Bass Section |
Works With Similar Orchestration
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.