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La strada: Ballet Suite
by Nino Rota
Orchestration
3332-4331-timp+3-hp-pf-cel-str
Duration
31 minutes
Year Composed
1966
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Movements & Players Table
Part Name | Movements | ||||||
---|---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | 6 | 7 | |
Nozze in campagna. "È arrivato Zampanò" | I tre suonatori e il "Matto" sul filo- | Il circo | La rabbia di Zampanò | Zampanò uccide il "Matto" | L'ultimo spettacolo sulla neve–Intermezzo | Solitudine e pianto di Zampanò | |
4' 00'' | 6' 00'' | 5' 00'' | 4' 00'' | 3' 00'' | 5' 00'' | 4' 00'' | |
Piccolo | Piccolo | ||||||
Flute 1 | C Flute | ||||||
Flute 2 | C Flute | ||||||
Oboe 1 | Oboe | ||||||
Oboe 2 | Oboe | ||||||
English Horn | English Horn | ||||||
Clarinet 1 | Clarinet in Bb | ||||||
Clarinet 2 | Clarinet in Bb | ||||||
Clarinet 3 | Bass Clarinet in Bb | ||||||
Bassoon 1 | Bassoon | ||||||
Bassoon 2 | Bassoon | ||||||
Horn 1 | Horn in F | ||||||
Horn 2 | Horn in F | ||||||
Horn 3 | Horn in F | ||||||
Horn 4 | Horn in F | ||||||
Trumpet 1 | Trumpet in C | ||||||
Trumpet 2 | Trumpet in C | ||||||
Trumpet 3 | Trumpet in C | ||||||
Trombone 1 | Trombone | ||||||
Trombone 2 | Trombone | ||||||
Trombone 3 | Trombone | ||||||
Tuba | Tuba | ||||||
Harp | Harp | ||||||
Piano | Piano | ||||||
Celesta | Celesta | Tacet | Celesta | Tacet | |||
Timpani | Timpani | ||||||
Percussion 1 | Tacet | Tambourine, Suspended Cymbal, Cymbals, Wood Block, and Snare Drum | Suspended Cymbal, Tamburo Gelsomina, Cymbals, and Snare Drum | Snare Drum | Suspended Cymbal, Tam Tam, and Cymbals | Tacet | Tam Tam |
Percussion 2 | Tacet | Tambourine, Suspended Cymbal, Cymbals, Wood Block, and Snare Drum | Suspended Cymbal, Tamburo Gelsomina, Cymbals, and Snare Drum | Tam Tam and Cymbals | Tacet | ||
Percussion 3 | Tacet | Tambourine, Suspended Cymbal, Cymbals, Wood Block, and Snare Drum | Tacet | ||||
Violin 1 | Violin Section | ||||||
Violin 2 | Violin Section | ||||||
Viola | Viola Section | ||||||
Cello | Cello Section | ||||||
Double Bass | Bass Section |
Works With Similar Orchestration
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Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.