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Roma capomunni
by Nino Rota
Orchestration
3333-4531-timp+6-hp-pf-cel-org-str-chorus(SATB)-soloist(Bar)
Duration
46 minutes
Year Composed
1970
Notes
Movements
- Allegro "Chi ha fabbricato Roma..."
- Lento "Nymphae, Laurentes Nymphae..."
- Mosso "Delicta maiorum..."
- Mosso "Pan o megas tethneke..."
- Allegro non troppo "In dov' antroch'a Roma..."
- Andante con moto "O Roma nobilis..."
- Andante "Quam diu stabit Colyseus... / While stands the Coliseum"
- Allegro con spirito "Nun fuss' antro pe tante antichità..."
- Calmo "Saget Steine, mir an..." X Andante misterioso "Dicono infatti le storie..."
- Andante un poco mosso "Nel puro mattino..."
- Allegro "Immezzo all'orto mio..."
- Allegro con impeto "Roma o morte!"
- Lento cadenzato alla marcia "Vieni vano le tromme cor zordino..."
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Movements & Players Table
Part Name | Instruments |
---|---|
Flute 1 | C Flute |
Flute 2 | C Flute |
Flute 3 | C Flute and Piccolo |
Oboe 1 | Oboe |
Oboe 2 | Oboe |
English Horn | English Horn |
Clarinet 1 | Clarinet |
Clarinet 2 | Clarinet |
Clarinet 3 | Bass Clarinet |
Bassoon 1 | Bassoon |
Bassoon 2 | Bassoon |
Contrabassoon | Contrabassoon |
Horn 1 | Horn |
Horn 2 | Horn |
Horn 3 | Horn |
Horn 4 | Horn |
Trumpet 1 | Trumpet |
Trumpet 2 | Trumpet |
Trumpet 3 | Trumpet |
Cornet 1 | Cornet |
Cornet 2 | Cornet |
Trombone 1 | Trombone |
Trombone 2 | Trombone |
Trombone 3 | Trombone |
Tuba | Tuba |
Harp | Harp |
Piano | Piano |
Organ | Organ |
Celesta | Celesta |
Timpani | Timpani |
Percussion 1 | Sistrum, Suspended Cymbal, Tam Tam, Glockenspiel, Bass Drum, Triangle, Xylophone, and Snare Drum |
Percussion 2 | |
Percussion 3 | |
Percussion 4 | |
Percussion 5 | |
Percussion 6 | |
Violin 1 | Violin Section |
Violin 2 | Violin Section |
Viola | Viola Section |
Cello | Cello Section |
Double Bass | Bass Section |
Solo: Baritone | Baritone (Voice) |
Chorus: Soprano | Soprano (Voice) |
Chorus: Alto | Alto (Voice) |
Chorus: Tenor | Tenor (Voice) |
Chorus: Bass | Bass (Voice) |
Works With Similar Orchestration
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.