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St. Thomas Wake; Foxtrot for Orchestra on a Pavan by John Bull (J.127)
by Peter Maxwell Davies
Orchestration
4243-4441-timp+4-hp-pf-str
Duration
21 minutes
Year Composed
1969
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Movements & Players Table
Part Name | Instruments |
---|---|
Orchestra: Piccolo | Piccolo |
Orchestra: Flute 1 | C Flute |
Orchestra: Flute 2 | C Flute |
Orchestra: Oboe 1 | Oboe |
Orchestra: Oboe 2 | Oboe |
Orchestra: Clarinet 1 | Clarinet |
Orchestra: Clarinet 2 | Clarinet |
Orchestra: Clarinet 3 | Bass Clarinet |
Orchestra: Bassoon 1 | Bassoon |
Orchestra: Bassoon 2 | Bassoon |
ContrabassooOrchestra: n | Bassoon |
Orchestra: Horn 1 | Horn |
Orchestra: Horn 2 | Horn |
Orchestra: Horn 3 | Horn |
Orchestra: Horn 4 | Horn |
Orchestra: Trumpet 1 | Trumpet |
Orchestra: Trumpet 2 | Trumpet |
Orchestra: Trumpet 3 | Trumpet |
Orchestra: Trombone 1 | Trombone |
Orchestra: Trombone 2 | Trombone |
Orchestra: Trombone 3 | Trombone |
Orchestra: Tuba | Tuba |
Orchestra: Timpani | Timpani |
Orchestra: Percussion 1 | Tenor Drum, Police Whistle, 3 Suspended Cymbals, Upright Piano with action removed, Thin Metal Sheet with Hammer, Cymbals, Tam-Tam, and Snare Drum |
Orchestra: Percussion 2 | 2 Hammers, 4 Woodblocks, Biscuit Tin filled with glass fragments, 4 Metal Scaffold Tubes, Football Rattle, and Bass Drum |
Orchestra: Percussion 3 | Claves, 2 Bass Drums (Large/Small), Football Rattle, Slapstick, Large Empty Biscuit Tin, and Referee's Whistle |
Orchestra: Harp | Harp |
Orchestra: Violin 1 | Violin Section |
Orchestra: Violin 2 | Violin Section |
Orchestra: Viola | Viola Section |
Orchestra: Cello | Cello Section |
Orchestra: Double Bass | Bass Section |
Foxtrot Band: Flute | C Flute and Piccolo |
Foxtrot Band: Clarinet | Clarinet |
Foxtrot Band: Trumpet | Trumpet |
Foxtrot Band: Trombone | Trombone |
Foxtrot Band: Percussion | Band Kit |
Foxtrot Band: Piano | Piano Note: Out of tune, honky-tonk |
Foxtrot Band: Violin 1 | Violin 1 |
Foxtrot Band: Cello | Cello |
Foxtrot Band: Double Bass | Bass |
Works With Similar Orchestration
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.