We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.
Symphony No. 6
by Philip Glass
Orchestration
3242-4331-timp+4-hp-pf-cel-str-soloist(S)
Duration
52 minutes
Year Composed
2001
Find this work at:
ZinfoniaIf you see any information that is wrong, please provide feedback!
We will do our best to quickly correct any mistakes.
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Movements & Players Table
Part Name | Movements | ||
---|---|---|---|
1 | 2 | 3 | |
What new element... | The Bard surveys Plutonian History | This ode to you O Poets | |
21' 00'' | 12' 00'' | 19' 00'' | |
Flute 1 | C Flute | ||
Flute 2 | C Flute | ||
Flute 3 | C Flute | ||
Oboe 1 | Oboe | ||
Oboe 2 | Oboe | ||
Clarinet 1 | Clarinet | ||
Clarinet 2 | Clarinet | ||
Clarinet 3 | Clarinet | ||
Clarinet 4 | Clarinet | ||
Bassoon 1 | Bassoon | ||
Bassoon 2 | Bassoon | ||
Horn 1 | Horn | ||
Horn 2 | Horn | ||
Horn 3 | Horn | ||
Horn 4 | Horn | ||
Trumpet 1 | Trumpet | ||
Trumpet 2 | Trumpet | ||
Trumpet 3 | Trumpet | ||
Trombone 1 | Trombone | ||
Trombone 2 | Trombone | ||
Trombone 3 | Trombone | ||
Tuba | Tuba | ||
Harp | Harp | ||
Piano | Piano | ||
Celesta | Celesta | ||
Timpani | Timpani | ||
Percussion 1 | Tenor Drum, Tambourine, Maracas, Hi-Hat, Tom-Tom, Chimes, 2 Tam-Tams, Suspended Cymbal, Vibraphone, Castanet, Glockenspiel, Bass Drum, Triangle, Bass Drum with Cymbal, Xylophone, Snare Drum, Anvil, and Woodblock | ||
Percussion 2 | |||
Percussion 3 | |||
Percussion 4 | |||
Violin 1 | Violin Section | ||
Violin 2 | Violin Section | ||
Viola | Viola Section | ||
Cello | Cello Section | ||
Double Bass | Bass Section | ||
Solo: Soprano | Soprano (Voice) |
Works With Similar Orchestration
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.