We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.
Façade: Suite No. 1
by Sir William Walton
Orchestration
2222-4211-timp+3-str
Duration
9 minutes
Year Composed
1926
Find this work at:
ZinfoniaIf you see any information that is wrong, please provide feedback!
We will do our best to quickly correct any mistakes.
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Movements & Players Table
Part Name | Movements | ||||
---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | |
Polka | Valse | Swiss Jodelling Song | Tango-Pasodoble | Tarantella-Sevillana | |
1' 00'' | 3' 00'' | 2' 00'' | 2' 00'' | 1' 00'' | |
Flute 1 | C Flute | ||||
Flute 2 | C Flute | ||||
Oboe 1 | Oboe | ||||
Oboe 2 | Oboe | ||||
Clarinet 1 | Clarinet | ||||
Clarinet 2 | Clarinet | ||||
Bassoon 1 | Bassoon | ||||
Bassoon 2 | Bassoon | ||||
Horn 1 | Horn | ||||
Horn 2 | Horn | ||||
Horn 3 | Horn | ||||
Horn 4 | Horn | ||||
Trumpet 1 | Trumpet | ||||
Trumpet 2 | Trumpet | ||||
Trombone | Trombone | ||||
Tuba | Tuba | ||||
Timpani | Timpani | Tacet | Timpani | ||
Percussion 1 | Xylophone and Snare Drum | Triangle and Snare Drum | Xylophone | Snare Drum and Castanets | Xylophone |
Percussion 2 | Tambourine, Crash Cymbals, and Suspended Cymbal | Crash Cymbals and Suspended Cymbal | Suspended Cymbal and Triangle | Crash Cymbals and Suspended Cymbal | Tambourine, Ratchet, and Suspended Cymbal |
Percussion 3 | Tacet | Bass Drum and Triangle | Glockenspiel and Bass Drum | Bass Drum | Bass Drum, Snare Drum, and Castanets |
Violin 1 | Violin Section | ||||
Violin 2 | Violin Section | ||||
Viola | Viola Section | ||||
Cello | Cello Section | ||||
Double Bass | Bass Section |
Works With Similar Orchestration
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.