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Sofia Gubaidulina
46 Compositions
1956 | Phacelia: A Vocal Cycle for Soprano | 2222-3200-timp+3-hp-str-soloist(S) | 14' 00'' |
1968 | Night in Memphis. Cantata | 1000-0100-timp+2-hp-pf-str-chorus(TB)-soloist(M) | 26' 00'' |
1969 | Rubayat: Cantata for Baritone | 1111-2110-2perc-pf-str-soloist(Bar) | 16' 00'' |
1971 | Concordanza | 1111-1000-1perc-str | 15' 00'' |
1971 | Fairytail Poem | 3040-0000-2perc-hp-pf-str | 10' 00'' |
1972 | Detto II | 1111-1000-2perc-cel-str-soloist(vc) | 15' 00'' |
1975 | Concerto for Bassoon and Low Strings | str(no vln1,no vln2,no vla)-soloist(bsn) | 27' 00'' |
1976 | Concerto for Symphony Orchestra and Jazz Band | 3030-6771-5perc-2hp-pf-str-soloists(SSS) | 10' 00'' |
1978/2016 | Concerto for Piano (Introitus) | 1101-0000-str-soloist(pf) | 29' 00'' |
1978 | Te Salutant: Capriccio for Large Light Orchestra | 2011-3550-3perc-hp-pf-org-str(no vc,no cb) | 5' 00'' |
1980 | Concerto for Violin No. 1 (Offertorium) | 3232-3331-timp+4-2hp-cel-str-soloist(vln) | 40' 00'' |
1982 | Seven Words | str-soloists(bayan,vc) | 32' 00'' |
1986 | Stimmen...Verstummen | 4234-4341-4perc-2hp-cel-org-str | 42' 00'' |
1988 | Hour of the Soul | 3332-4441-timp+3-2hp-pf-str-soloists(perc,M) | 30' 00'' |
1989 | Pro et Contra | 4243-4331-timp+5-2hp-pf-cel-str | 42' 00'' |
1989 | Unasked Answer | 4343-811190-timp+3-2hp-pf-cel-str | 8' 00'' |
1990 | Alleluja | 4243-4331-6perc-2hp-2pf-cel-org-str-chorus(SATB)-soloist(bchr) | 32' 00'' |
1991 | Lauda | 4232-4331-6perc-cel-org-str-chorus(SATB)-soloists(spkr,ABarT) | 15' 00'' |
1991 | Aus dem Stundenbuch | 4243-4242-5perc-2hp-pf-cel-str-chorus(TB)-soloists(vc,f.v) | 58' 00'' |
1992 | Steps | 3323-6441-5perc-hp-2pf-cel-str | 20' 00'' |
1993 | Now Always Snow | 2121-0120-2perc-str-chorus(SATB)-soloist(spkr) | 25' 00'' |
1993 | And: The Festivities at Their Height | 3132-4331-timp+4-2hp-pf-cel-str-soloist(vc) | 30' 00'' |
1994 | Music for Flute, Strings, and Percussion | 3perc-str-soloist(fl) | 33' 00'' |
1996 | Impromptu for Flute and Violin | str-soloists(fl,vln) | 15' 00'' |
1998 | In the Shadow of the Tree | 2132-2300-timp+5-cel-str-soloists(koto,bs.koto,zheng) | 25' 00'' |
1999 | Two Paths for Two Violas | 3243-4331-timp+5-pf-cel-str-soloists(2vla) | 24' 00'' |
1999/? | Two Paths for Two Cellos (arr. Schachtner ) | 4243-4331-timp+5-pf-cel-str-soloists(2vc) | 24' 00'' |
2000 | Johannes-Passion | 4141-3331-6perc-pf-org-str-chorus(SATB)-soloists(SBarTB) | 1h 40' 00'' |
2001/2010 | Risonanza | 0000-0340-str-soloist(org) | 15' 00'' |
2001 | Johannes-Ostern | 4141-6431-8perc-pf-org-str-chorus(SSAATTBB)-soloists(SBarTB) | 50' 00'' |
2002/2006 | Reflections on the Theme B-A-C-H (arr. Kremer ) | str-soloist(vln) | 5' 00'' |
2002 | The Rider on the White Horse | 3141-3431-8perc-pf-str-soloist(org) | 13' 00'' |
2003 | Under the Sign of Scorpio | 4343-4331-6perc-2hp-cel-str-soloist(bayan) | 27' 00'' |
2003 | The Light of the End | 4333-4331-5perc-hp-str | 26' 00'' |
2005 | The Deceitful Face of Hope and Despair | 3233-4241-timp+1-2hp-pf-cel-str-soloist(fl) | 26' 00'' |
2006 | Feast During a Plague | 4444-6431-timp+3-2hp-pf-str | 25' 00'' |
2006 | The Lyre of Orpheus | 2perc-str-soloist(vln) | 22' 00'' |
2007 | Concerto for Violin No. 2 (In Tempus Praesens) | 4344-6341-timp+5-2hp-pf-cel-str-soloist(vln) | 32' 00'' |
2008 | Concerto for 5 Percussionists | 3140-2242-1perc-2hp-cel-str-soloists(5perc) | 44' 00'' |
2009 | Fachwerk | 1perc-str-soloist(bayan) | 31' 00'' |
2014 | Why? for Flute, Clarinet, and Strings | str-soloists(fl,cl) | 32' 00'' |
2015 | O Come, Holy Ghost | 3132-8331-timp+4-str-chorus(SATB)-soloists(SB) | 12' 00'' |
2016/2018 | On Love and Hatred | 3233-8341-timp+4-pf-str-chorus(SSAATTBB)-soloists(SBarTB) | 1h 18' 00'' |
2017 | Triple Concerto for Violin, Cello, and Bayan | 4334-6432-timp+3-cel-str-soloists(bayan,vln,vc) | 29' 00'' |
2018 | Concerto for Violin No. 3 (Dialogue: I and You) | 4354-4422-2perc-2hp-cel-str-soloist(vln) | 20' 00'' |
2019 | The Wrath of God | 4354-8442-timp+2-str | 18' 00'' |
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.