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The Bridge on the River Kwai
by Sir Malcolm Arnold
Orchestration
3333-4331-timp+7-2hp-2pf-str
Arranger
Duration
21 minutes 45 seconds
Year Composed
1957
Year Arranged
1991
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Movements & Players Table
Part Name | Movements | |||
---|---|---|---|---|
1 | 2 | 3 | 4 | |
Prelude, the Camp, and Escape | Sunset | The Jungle Trek | Finale. The River Kwai March | |
6' 15'' | 6' 00'' | 6' 00'' | 3' 30'' | |
Flute 1 | C Flute | |||
Flute 2 | C Flute | |||
Flute 3 | C Flute | |||
Oboe 1 | Oboe | |||
Oboe 2 | Oboe | |||
Oboe 3 | Oboe | |||
Clarinet 1 | Clarinet | |||
Clarinet 2 | Clarinet | |||
Clarinet 3 | Clarinet | |||
Bassoon 1 | Bassoon | |||
Bassoon 2 | Bassoon | |||
Bassoon 3 | Bassoon | |||
Horn 1 | Horn | |||
Horn 2 | Horn | |||
Horn 3 | Horn | |||
Horn 4 | Horn | |||
Trumpet 1 | Trumpet | |||
Trumpet 2 | Trumpet | |||
Trumpet 3 | Trumpet | |||
Trombone 1 | Trombone | |||
Trombone 2 | Trombone | |||
Trombone 3 | Trombone | |||
Tuba | Tuba | |||
Harp 1 | Harp | |||
Harp 2 | Harp | |||
Piano 1 | Piano | |||
Piano 2 | Piano | |||
Timpani | Timpani | |||
Percussion 1 | 3 Tom-Toms, Small Snare Drum, and Field Drum 1 | Field Drum and Snare Drum | Field Drum and 2 Deep Tom-Toms | Drum Kit and Field Drum 1 |
Percussion 2 | Glockenspiel, Bells, and Field Drum 2 | Glockenspiel | Glockenspiel, Bells, and Bongos | Field Drum 2 |
Percussion 3 | Timpani 2 Note: Two pitches: E2 and E3 | Xylophone | Triangle and Xylophone | Glockenspiel |
Percussion 4 | Crash Cymbals and Suspended Cymbal | Suspended Cymbal | Crash Cymbals, Suspended Cymbal, and Snare Drum | Suspended Cymbal |
Percussion 5 | Crash Cymbals and Tam-Tam | Low Gong, Tam-Tam, and Medium Gong | Crash Cymbals | |
Percussion 6 | Triangle | Tacet | Tenor Drum and Marimba | Triangle |
Percussion 7 | Bass Drum | |||
Violin 1 | Violin Section | |||
Violin 2 | Violin Section | |||
Viola | Viola Section | |||
Cello | Cello Section | |||
Double Bass | Bass Section |
Works With Similar Orchestration
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.