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Azul
by Osvaldo Golijov
Orchestration
3121-4330-2perc-hp-str-soloists(2perc,acn,vc)
Duration
27 minutes
Year Composed
2006
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Movements & Players Table
Part Name | Instruments |
|---|---|
Flute 1 | C Flute and Piccolo |
Flute 2 | C Flute and Piccolo |
Flute 3 | C Flute and Piccolo |
English Horn | English Horn |
Clarinet | Clarinet |
Basset Horn | Basset Horn |
Bassoon | Bassoon |
Horn 1 | Horn in F |
Horn 2 | Horn in F |
Horn 3 | Horn in F |
Horn 4 | Horn in F |
Trumpet 1 | Trumpet in C |
Trumpet 2 | Trumpet in C |
Trumpet 3 | Trumpet in C |
Trombone 1 | Trombone |
Trombone 2 | Trombone |
Trombone 3 | Bass Trombone |
Harp | Harp |
Percussion 1 | Cymbal, Spring, Medium Tam-Tam, Vibraphone with Bow, Triangle, Caxixi, Shaker, and Goat's Nail |
Percussion 2 | Marimba and Tuned Gong |
Violin 1 | Violin Section |
Violin 2 | Violin Section |
Viola | Viola Section |
Cello | Cello Section |
Double Bass | Bass Section |
Solo: Percussion 1 | Djembe with Broom, Kanjira, Finger Cymbal, Timpani (Pitchless), Dumbek (Bass Tone), Bird Whistles, Sleighbell, Gourd, Waterphone with Bow, Flat Tom, Djembe (Bass Tone), Cymbals, Shaker, Goat's Nail, and Bells |
Solo: Percussion 2 | Cymbal, Spring, Conga, Cajon, SHaker, Seed Rattles, Cricket, Djembe, Bottle Shaker, Gourd, Flat Tom, Talking Drum, Shout (with delay), Temple Block, Static Wraps, Djembe (High Tone), Bird's Wings (Broom), Static Whips, Pandiero, Caxixi, Wind Whistle, Ba, Goat's Nail, Bells, Sleighbells, and Metal Percussion Bell |
Solo: Hyper-Accordion | Accordion Note: The accordion is processed with an Eventide Eclipse Processor requiring multiple subwoofers and speakers. A normal accordion may be used with additional sound files available from the Boosey & Hawkes Rental Department. If using digital sound files, a sampler needs to be available, and those sounds need to be triggered at the appropriate times. See the score for full technical details. |
Solo: Cello | Cello Note: The cello soloist needs to be amplified. The score specifies microphones models to be used. |
Works With Similar Orchestration
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.