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La pasión según San Marcos
by Osvaldo Golijov
Orchestration
0000-0220-5perc-pf-str(no vla)-chorus(SABarTB)-soloists(jzvc,m.v,dancer,S)
Duration
1 hour 28 minutes
Year Composed
2000
Notes
Movements- Visión: Bautismo en la Cruz (Baptism on the Cross)
- Danza del Pescador Pescado (Dance of the Ensnared Fisherman)
- Primer Anuncio (First Announcement)
- Segundo Anuncio (Second Announcement)
- Tercer Anuncio: En Fiesta No (Not During the Feast)
- Dos Días (Two Days)
- Unción en Betania (Anointment in Bethany)
- ¿Por Qué? (Why?)
- Oración Lucumí (Aria con Grillos) (Aria with Crickets)
- El Primer Día (The First Day)
- Judas y El Cordero Pascual (The Pascal Lamb)
- Quisiera Yo Renegar (Aria de Judas) (I Forswear This World)
- Eucaristía (Eucharist)
- Demos Gracias al Señor (We Give Thanks)
- Al Monte (To the Mount)
- Cara a Cara (Face to Face)
- En Getsemaní (In Gethsemane)
- Agonía (Aria de Jesús) (Agony; Aria of Jesus)
- Arresto (Arrest)
- Danza Sábana Blanca (Dance of the White Sheet)
- Ante Caifás (Before Caiphas)
- Soy Yo (Confesión) (Yes, I Am; Confession)
- Escarnio y Negación (Scorn and Denial)
- Desgarro de la Túnica (The Rending of the Robe)
- Lúa Descolorida (Aria de las Lágrimas de Pedro) (Colorless Moon)
- Amanecer: Ante Pilato (Dawn: Before Pilate)
- Silencio (Silence)
- Sentencia (Sentence)
- Comparsa al Gólgota (Parade: To Golgotha)
- Danza de la Sábana Púrpura-Manto Sagrado (Dance of the Holy Robes)
- Crucifixión (Crucifixion)
- Muerte (Death)
- Kaddish
- The following additional percussion instruments are needed: Berimbau, Quitiplás, Clave, Caja, Whistle, Shaker, Ago-gó, Gua Gua, Cuica, Quinto, Surdo Cortador, Surdo Resposta, Surdo Marcaçao, Repnique, Chimes, Wind Chimes, Bass Drum, Tamtam, Tambourine, Sea Shells, Spring Drum, Iyá, Cymbal
- Requires 54 voices in the choir at a minimum.
- Additionally, many musicians will need amplification and digital processing (such as delay or reverb).
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Movements & Players Table
Part Name | Instruments |
---|---|
Trumpet 1 | Piccolo Trumpet in Bb and Trumpet in C |
Trumpet 2 | Trumpet in C |
Trombone 1 | Trombone |
Trombone 2 | Trombone |
Piano | Piano |
Guitar | Tres and Guitar |
Percussion 1 | Bell, Okònkolo, Caxixi, Bongos, and Guataca (or Campana) |
Percussion 2 | Maracas, Congas, Shekere, and Itótele |
Percussion 3 | 2 Leguero, Guiro, Bombo, Bell, Shekere, and Timbales |
Percussion 4 | 2 Leguero, Guiro, Bombo, Bell, Shekere, and Timbales |
Percussion 5 | 2 Leguero, Guiro, Bombo, Bell, Shekere, and Timbales |
Violin 1 | Violin Section |
Violin 2 | Violin Section |
Cello | Cello Section |
Double Bass | Bass Section |
Solo: Judas, Jesús 1, Jeremiah | Jazz Vocalist Note: In the Brazillian style. In Contralto range. |
Solo: Jesús. Peter | Soprano (Voice) Note: Light, early music style |
Solo: Marcos | Male Voice Note: Male Vocalist-Afro Cuban Dancer singing in the Babalao style |
Solo: Fisherman | Dancer Note: Capoeira Dancer |
Chorus: Soprano | Soprano (Voice) |
Chorus: Alto | Alto (Voice) |
Chorus: Baritone | Baritone (Voice) |
Chorus: Tenor | Tenor (Voice) |
Chorus: Bass | Bass (Voice) |
Works With Similar Orchestration
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Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.