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Arnold Schoenberg
43 Compositions
1896 | Notturno | hp-str | 5' 00'' |
1897 | Ten Early Waltzes for String Orchestra | str | 14' 00'' |
1899 | Verklärte Nacht (1943 Version) , op. 4 | str | 30' 00'' |
1899 | Verklärte Nacht (Original Version) , op. 4 | str | 30' 00'' |
1903/2008 | Pelléas und Mélisande (arr. Colnot ) , op. 5 | 2232-3221-3perc-hp-str | 41' 00'' |
1903/2019 | Pelléas und Mélisande (arr. Hammer ) , op. 5 | 1121-2000-pf-str | 41' 00'' |
1903 | Pelléas und Mélisande , op. 5 | 4454-8451-2timp+4-2hp-str | 41' 00'' |
1903/? | Pelléas und Mélisande (arr. Stein ) , op. 5 | 3333-4331-timp+4-hp-str | 41' 00'' |
1904 | Six Songs , op. 8 | 3333-4331-timp+3-hp-str-soloist(S) | 23' 00'' |
1905 | Chamber Symphony No. 1 (Second Version) , op. 9b | 3333-4230-str | 21' 00'' |
1905 | Chamber Symphony No. 1 (First Version) , op. 9b | 3333-4000-str | 21' 00'' |
1906 | Chamber Symphony No. 1 (Final Version) , op. 9 | 1232-2000-str | 21' 00'' |
1907 | Friede auf Erden , op. 13 | 2222-2000-str-chorus(SATB) | 8' 00'' |
1909/1920 | Five Pieces for Chamber Orchestra (arr. Greissle ) , op. 16 | 1111-1000-pf-str | 16' 00'' |
1909 | Five Pieces for Orchestra (Original Version) , op. 16 | 4454-6341-timp+3-hp-cel-str | 16' 00'' |
1910 | Three Pieces for Chamber Orchestra | 1111-1000-cel-str | 3' 00'' |
1911 | Gurre-Lieder | 8575-10671-2timp+9-4hp-cel-str-chorus(SATTBB)-soloists(SATTB) | 1h 47' 45'' |
1911 | Gurre-Lieder: Lied der Waldtaube for Chamber Orchestra | 1232-2000-pf-str-soloist(S) | 13' 00'' |
1912/1923 | Gurre-Lieder (arr. Stein ) | 3343-6441-2timp+8-2hp-pf-cel-str-chorus(SATTBB)-soloists(SATTB) | 1h 39' 00'' |
1912/2018 | Pierrot lunaire (arr. Karaew ) , op. 21 | 3333-4331-timp+2-hp-cel-str | 34' 00'' |
1912 | Pierrot lunaire , op. 21 | 1010-0000-pf | 34' 00'' |
1913/1983 | Six Little Piano Pieces (arr. Wulff ) , op. 19 | 1120-1110-2perc-hp-str-soloist(pf) | 8' 00'' |
1913/1993 | Six Little Piano Pieces (arr. van Vlijmen ) , op. 19 | 4333-4431-1perc-hp-cel-str | 8' 00'' |
1916 | Vier Orchester-Lieder , op. 22 | 5563-4131-timp+2-hp-str-soloist(S) | 15' 00'' |
1916 | Chamber Symphony No. 2 , op. 38 | 2222-2200-str | 22' 00'' |
1923 | Serenade , op. 24 | 0020-0000-str(1.0.1.1.0)-soloist(Bar) | 34' 00'' |
1925 | Five Pieces for Chamber Orchestra , op. 16 | 1111-1000-pf-str | 16' 00'' |
1928 | Variations for Orchestra , op. 31 | 4454-4341-timp+5-hp-cel-str | 22' 00'' |
1930 | Begleitungsmusik zu einer Lichtspielscene , op. 34 | 1121-2210-timp+4-pf-str | 8' 00'' |
1933 | Concerto for String Quartet | 2222-2210-timp+3-hp-pf-str | 20' 00'' |
1933 | Concerto for Violoncello | 2222-2210-timp+4-hp-cel-str | 16' 00'' |
1934 | Suite for String Orchestra in G major | str | 28' 00'' |
1936 | Concerto for Violin , op. 36 | 3333-4331-timp+5-str | 32' 00'' |
1938 | Kol nidre , op. 39 | 2131-2221-timp+3-str-chorus(SATB) | 18' 00'' |
1942 | Ode to Napoleon Bonaparte , op. 41b | pf-str | 16' 00'' |
1942 | Concerto for Piano (Reduced Version) , op. 42 | 1231-2000-str-soloist(pf) | 21' 00'' |
1942 | Concerto for Piano , op. 42 | 2222-4231-timp+3-str | 21' 00'' |
1943 | Theme and Variations , op. 43b | 3333-4331-timp+5-str | 10' 45'' |
1945 | Fanfare on Motifs of Die Gurre-Lieder | 0000-4331-timp+5 | 2' 00'' |
1945 | Prelude | 3333-4331-timp+3-hp-str-chorus(SATB) | 6' 00'' |
1947 | A Survivor from Warsaw , op. 46 | 2222-4331-timp+6-hp-str-chorus(TB)-soloist(v) | 9' 00'' |
1949 | Five Pieces for Orchestra (Revised Version) , op. 16 | 4343-4331-timp+3-hp-cel-str | 16' 00'' |
1950 | Moderne Psalm , op. 50c | 2232-2210-1perc-str-chorus(SATB) | 7' 00'' |
4 Arrangements
1717/1922 | J.S. Bach : Komm, Gott, Schöpfer, heiliger Geist (arr. Schoenberg ) , BWV 631 | 4464-4441-timp+2-2hp-str | 5' 00'' |
1717/1925 | J.S. Bach : Schmücke dich, o liebe Seele (arr. Schoenberg ) , BWV 654 | 4464-4441-timp+2-hp-cel-str | 5' 00'' |
1723/1929 | J.S. Bach : Prelude & Fugue in E-flat major (arr. Schoenberg ) , BWV 552 | 4464-4441-timp+3-hp-cel-str | 16' 00'' |
1885/1920 | Mahler : Lieder eines fahrenden Gesellen (arr. Schoenberg ) | 1010-0000-1perc-pf-str | 14' 00'' |
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.