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Anton Webern
21 Compositions
1904/2019 | Im Sommerwind (arr. Freisitzer ) | 1121-2110-timp+1-hp-pf-str | 12' 00'' |
1904 | Im Sommerwind | 3352-6200-timp+2-2hp-str | 12' 00'' |
1905/2019 | Langsamer Satz (arr. Schwarz ) | 2222-2130-timp+2-str | 9' 00'' |
1905 | Langsamer Satz | str | 9' 00'' |
1908/1987 | Passacaglia (arr. Pousseur ) , op. 1 | 1111-1010-timp+2-str(1.0.1.1.1) | 11' 00'' |
1908 | Passacaglia , op. 1 | 3333-4331-timp+2-hp-str | 11' 00'' |
1909 | Sechs Stücke (1909) , op. 6 | 4452-6661-3timp+5-2hp-cel-str | 13' 00'' |
1909 | Sechs Stücke (1928) , op. 6 | 2232-4441-timp+5-hp-cel-str | 13' 00'' |
1910 | 2 Lieder nach Gedichten von Rainer Maria Rilke , op. 8 | 0010-1100-hp-cel-str(1.0.1.1.0)-soloist(md.v) | 2' 00'' |
1913 | Fünf Stücke , op. 10 | 1120-1110-4perc-hp-cel-str(1.0.1.1.1) | 6' 00'' |
1918 | 4 Lieder für Sopran und Kammerorchester , op. 13 | 1020-1110-1perc-hp-cel-str(1.0.1.1.1)-soloist(S) | 6' 00'' |
1922 | 6 Lieder nach Gedichten von Georg Trakl , op. 14 | 0020-0000-str(1.0.0.1.0)-soloist(hi.v) | 8' 00'' |
1922 | Geistliche Lieder , op. 15 | 1010-0100-hp-str(no vln1,no vln2,no vc,no cb)-soloist(hi.v) | 6' 00'' |
1926 | 2 Lieder , op. 19 | 0020-0000-cel-str(1.0.0.0.0)-chorus(SATB) | 2' 00'' |
1928 | Symphony , op. 21 | 0020-2000-hp-str(no cb) | 10' 00'' |
1929 | Fünf Sätze , op. 5 | str | 11' 00'' |
1934 | Concerto , op. 24 | 1110-1110-pf-str(1.0.1.0.0) | 7' 00'' |
1935 | Das Augenlicht , op. 26 | 1110-1110-timp+2-hp-cel-str(no cb)-chorus(SATB) | 7' 00'' |
1939 | Kantate I , op. 29 | 1120-1110-timp+3-hp-cel-str(no cb)-chorus(SATB)-soloist(S) | 8' 00'' |
1940 | Variations for Orchestra , op. 30 | 1120-1111-timp-hp-cel-str | 8' 00'' |
1943 | Kantate II , op. 31 | 2221-1111-1perc-hp-cel-str-chorus(SATB)-soloists(SB) | 13' 00'' |
2 Arrangements
1747/1935 | J.S. Bach : "Ricercare" from Musikalisches Opfer (Musical Offering) (arr. Webern ) , BWV 1079/5 | 1221-1110-timp-hp-str | 8' 00'' |
1824/1931 | Schubert : Deutsche Tänze (arr. Webern ) , D.820 | 2222-2000-str | 9' 00'' |
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We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.